Thursday, 10 January 2013

Statement for assessment


Shona Slemon

K00136247

Whenlifegivesyouslemon.blogspot.com

 

Headlines and stories; blending politics,

 Pop culture and pictures to tell a story.

 

A child’s innocence in precious, their trust, loyalty and naivety are treasured qualities. Unfortunately a lot of children are surrounded by people who don’t see this, people who violate their rights, even though a child’s rights are just as important as anyone else’s. Children are not strong enough to defend themselves and stand up for their right and there are people in this world who take advantage of this. People who use a child's dependence for their own benefit, to make their clothes, to fight their wars, to satisfy sexual needs and to bully because they know a child is too weak to fight back.

This violation of children’s rights is something we deal with on a daily basis; we hear about the 400 children detained, tortured and killed in Syria in the paper, we see advertisements for brands like Nike and Sony, when we know the products are most likely made by a child who is under paid and over worked, we see images of young girls at beauty pageants and in high fashion magazines, sexualising themselves at an age where they should be embracing innocence.

In my prints and drawings, most of the figures represent the child who is abused and neglected. I intended on dramatizing the vulnerability of these children who are forgotten all over the world.

 

Protest

Where would we be without science in this day and age? It’s hard to know, science has brought us so far in medicine, technology, and science has taught us so much about the world around us. Nearly everything we use and know has been altered, improved and tested by science; our foods, our hair and beauty products, our medicines etc. Unfortunately this comes at a cost. Everything must be tested before human consumption or use, now some companies (i.e. Mac, Benefit make up companies) morals are higher than others and also they are higher earning that they can afford to test their products in a way that does not harm another creature. It’s an interesting argument, this scientific experimentation, to physically harm an animal for the sake of the newest mascara or hair dye on the market does seem unnecessary, it seems immoral and shallow to endanger a living creature for the sake of beauty... It has been said... ‘There’s no beauty without pain’. But in other cases, more serious cases when this scientific experimentation is saving lives due to stem cell research it is hard to know.

I began with the idea of animal testing and scientific experimentation in general and the ethics surrounding this. Think of the Frankenstinian Science behind it all, the mutation, the hybrids, scientists are trying to blend embryos mixed with human genes and a cows DNA, a test tube animal/human hybrid. The morbidity and grotesqueness of it all, odd or unnatural in shape, appearance, or character; fantastically ugly or absurd; the bizarre, anything that evokes a feeling of uncomfortable empathic pity. This are the themes I wanted to bring into my prints, the unethical and wrongful experimentation that surrounds us today.

Wednesday, 9 January 2013

Assessment Time

These are the prints I chose to display on my wall, some of these I have already uploaded in previous posts but the quality was blurry so these are clearer.

 
 
 
 
 
 
 
 
 

 
 
 
 
 






Drawing Project

I chose Brice Marden for our drawing project, I was looking at his later works like 'Cold Mountain' for example. I experimented with different materials; charcoals, conte crayons, markers, different colour inks, acrylic paint mixed with glue, watercolours pencils etc. and used long brushes tied together or long sticks when using ink.

These are some images of his work Iparticulary like;


These are some images from my first sketch book, they are just little sketches I began with before proeprly looking into his works;




 
Marden will create a layer of pattern and then either erase it or use a light wash and begin another layer until it builds up. When using the charcoal I would erase and draw, erase and draw until I built up a heavy system of lines.


 

 
With these paintings I began with charcoal, moved onto acrylic paint, I used a light wash over these lines and teh last layer was ink.



 
The following images were me working out his use of shapes and lines, I drew with a freer hand than I normally would, from a distance with a long brush and I allowed my hand tomake mistakes, It was similiar to 'bringing teh dog for a walk' when you were younger.







 
These are my finished pieces;


 


This was a really rushed photo so some of it's missing :)^^
 



Protest Wood cut 2

The image for my second wood cut was based on 'test tube babies'. I had looked at artists who used taxidermy and the idea of animals kept in fermaldahyde and that general idea of animals being detained in cages, jars in labs, being experimented on. I had some great found imagery for this part of the project i'll upload at a later date and I also visited the Zoology museum in Galway I got some great photographs in there relating to these prints.

 
 

 
 
 
 




Contextual

I looked at artists who dealt with the bizarre use of animals, taxidermy artists such as Damien Hirst and Sabrina Bewer. Patricia Paccini was another artists who creates sculptures of grotesque mutations of animal/human hybrids. Grotesque refers to some fantastic, strong, ugly, incogruous, unpleasant, disgustinga nd distorted. In art it is something that evokes a feeling of discomfort and relates to the bizarre, empathic pity.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
This is work from Les Deux Garcon's Taxidermy pieces;